Samsung wb150bk camera features built-in wifi

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Myoung Sup Han, senior vice president and head of the digital imaging business at Samsung Electronics. Listening to our customers, we discovered that being able to conserve memory and share images instantly was what was missing from the high-quality cameras that they trust. With this in mind, we added ground-breaking Wi-Fi functions to our travel zoom series, building on the brilliant image quality that high-quality sensors and zoom lenses provide with the ability to store and share like never before.

Make any picture come to life with Motion Photo With Motion Photo, users can make one element of a normal photograph come to life and keep moving while the rest of the frame stays still, such as a friend walking through a crowd of what appear to be statues or a solitary tree bending in the breeze. And with the STF, instant in-camera editing along with Wi-Fi allow users to share images immediately without ever needing a computer. Alternatively, the Smart Auto setting, available on all the new models, identifies and automatically selects the most appropriate of its scene modes to provide users with the best possible result every time.

From a fireworks display to a dimly-lit party, scene detection technology identifies the shooting conditions and automatically tailors the settings to help achieve standout results. Live Panorama to get everyone in the shot! The function allows the easy capture of large scenes by simply holding down the shutter button and sweeping the camera across.

Fun features to add a twist to your travels With Split Shot, camera users can divide the screen into three separate shots and create up to three different photographs by simply blending them together to create a whole new view of their travels.

This slots compliantly into a suitably enabled mains plug, also provided. There's no separate mains charger, so the camera is tied up each time you want to recharge. Returning to the WBF's back plate, and the largest feature here is, unsurprisingly, the LCD screen, presented in standard aspect ratio.

It's 3-inches in size, though somehow looks smaller - perhaps for not being widescreen. Its k-dot resolution is however an improvement on the standard k dots granted to models lower down any manufacturer's range. On the right of the screen is where the Samsung's lion's share of buttons feature. We get a familiar multi-directional control pad - the largest control of all - with which to tab up, or tab down a right-of-screen toolbar, or progress left and right when reviewing previously captured images.

Here the focusing is undertaken by tabbing along a sliding scale, with macro icon at one end and infinity at the other. Because Samsung provides us with an enlarged view - basically an image crop - on screen in manual mode, detail isn't really sufficient to make focusing a precise art, so its inclusion here feels less than ideal. Finally, at the west most point of the control pad we find the flash settings. On the WBF these comprise flash off, auto flash, red eye reduction, fill-in flash, slow sync and red eye fix options - so the full gamut of what we'd expect to find on a decent snapshot camera.

A press of menu and the array of shooting options presented in list form extends from left of screen across two thirds of it, a dark but still transparent background allowing the user to still 'peek' at the image relayed behind it. If the camera is set to Smart Auto rather than program, these options are far fewer in number. The same menu list also allows the option to adjust photo size in terms of pixel count and image quality in terms of JPEG compression level, with Super Fine denoting the optimum level, along with metering - the choices here being between the familiar multi zone, spot, or centre weighted.

Images can also be adjusted in camera for the likes of sharpness, contrast and saturation. We'd offer that shots straight out of the WBF are fine is terms of being visually punchy, but a little sharper may not go amiss on occasion.

The same menu list further offers the chance to activate the camera's built-in optical image stabilization to boost performance when using the camera handheld towards the extremity of the zoom. Movie size can also be downgraded from x pixels to an email friendly x if really desired. We don't get a set up menu or folder on this list - instead this is adjusted with a twist of the top plate scroll wheel to the cog icon; and it's here where sound, display, connectivity and 'general' time, date, formatting of images options are tweaked.

Photo filters and more creative effects are also applied at the point of capture via the top dial, when it's set to the camera icon that displays an inset star motif. It's here we find artistic effects by the dozen for both stills and movies, including the familiar soft focus, fisheye, old film, half tone dot, 'classic' monochrome, retro, miniature, vignetting, ink painting, oil painting, cartoon, cross filter and sketch options - so a lot to play with!

Filters can also be applied to pre-captured shots, which can also be retouched for the likes of red eye and have their brightness, contrast and colour saturation adjusted in camera. An editing suite at the fingertips of those who would rather not mess around later in an image editor, but would like some limited post-capture creative control nonetheless. There's no HDMI output here. As mentioned earlier, said battery is replenished in camera, rather than with the aid of standalone charger.

Battery life is good for pictures or minutes of video when fully charged. While the above would suggest the Samsung WBF is shaping up to be rather more than your average point and shoot camera, its small sensor size and relatively small lens - we're talking in terms of physical proportions for both - would indicate that its performance in terms of image quality may not exceed expectations. But we're prepared to be pleasantly surprised All of the sample images in this Review were taken using the To start with a positive, primary colours look particularly lush straight from the Samsung WBF when it is left on its default factory settings.

But if you do zoom in towards the telephoto end of the zoom, and are standing less than a metre and a half from your subject cm officially at telephoto setting, 80cm at maximum wide angle , the camera will struggle to focus if left in auto focus mode, if it can find it at all. The fallback Smart Auto option is also better suited at keeping up with static subjects than moving ones, which have the tendency to blur even in broad daylight. Detail is softening noticeably at ISO as noise reduction kicks in, while at top whack ISO , colour is going awry and it appears as if we are viewing the image through a sheet of cellophane.

Conversely, in bright conditions there's a tendency for the camera to lose highlight detail, and the familiar bugbear of pixel fringing creeps in too under such circumstances. While not a completely clean bill of health for all subjects and all conditions then, having such a broad focal range at our disposal - and in our pockets - is not to be underestimated.

And, with a steady hand a bit of luck you can get some very usable results, as our close up wildlife images reveal. For the amateur naturalist the WBF represents a very affordable option. Inevitably it's also an option for the traveler wanting a cheap snapshot to drop into their luggage too - just be prepared to take two or three shots in both circumstances in order to achieve one with focus and exposure spot on.

The Samsung WBF's 18x zoom lens offers a very versatile focal range, as illustrated by these examples:.